MCA23083524 – SHR6E012C-002

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Figure 1 – This is the ‘World Kit’ in which Caleb was using to perform this piece. It consists of a djembe and three dun dun’s arranged like a drum kit, as well as a snare drum, crash cymbal and hi-hat, using splash cymbals. Whilst I am aware that this is not close to hoe these instruments should be played traditionally, I feel that given the ever-changing nature of the piece, this was the most efficient set up to be able to tackle the part.
Figure 2 – The collection of gamelan instruments at the ‘Musée des Instruments de musique de Bruxelles’
Figure 3 – A video of myself, one of the percussionist and our percussion teaching, having a go at playing the vibraphone and crotales parts.
Figure 4 – A TikTok video of percussionist Gene Koshinski demonstrating his finger cymbal sticks on his vibraphone (Koshinski, 2023).
Figure 5 – An extract from the score, showing the bell tree part to follow the contour of the melody, rather than aim for specific pitches.
Figure 6 – The collection of gongs used in the composition.
Figure 7 – The pitches of those gongs. The highest note equalling the smallest gong.
Figure 8 – The ‘pelog’ scale. The collection of notes used within the flute solos in the gamelan section of music.
Figure 9 – A video demonstrating the ceng ceng.
Figure 10 – A video that I took at a Leeds International Concert Season lunchtime concert at Leeds Conservatoire with South Asian Arts.
Figure 11 – The Phrygian dominant scale that is used in the Klezmer section of this composition.

Bibliography:

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Coomaraswamy, A., 1917. Indian Music. The Musical Quarterly, 3(2), pp. 163-172.

Diakite, A. a. M. S., 2001. Jacket Notes, JebeBara, the Bamana djembe. s.l.:Rootsy Records.

Evergreenclubcontemporary, 2020. Youtube. [Online]
Available at: https://www.youtube.com/shorts/v7SBqHar2Vc
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Koshinski, G., 2023. TikTok. [Online]
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Roda, P., 2015. The Tabla Past and Present: Analysis of Materials in India’s Most Iconic Drums. The Galpin Society Journal, Volume 68, pp. 193-214.

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sheetmetalmfg, 2026. Aluminum vs Bronze: The Lightweight Versatility vs. The Heavyweight Heritage. [Online]
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Sylla, C., 2025. The Gambia Experience. [Online]
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[Accessed 12th May 2026].