Scene 1:

scene

Diction

Likes how I try to overshadow agatha 

More of uncomfortable on “no I wouldn’t say that”

Run a lap around emilie

Notes:

Needs more colour

Commitment 

“I was writing about” don’t cut off

Murdered- was good

10/12

   More colour- active imagination

11/12

Just did a run, that was the best I’ve ever done it. I made so many more choices and everything felt so much more heightened. I felt the emotions so much more which gave me a lot moreange in my performance. That is the best I have felt with crying. 

General notes

• Don’t breathe in the middle of a thought
• The more high enotion you are- the more muscular you have to be- crying
• “all” and “almost” Â
•  

“this will all be such fun”- clarity

Muscularity especially at the end of words “olD”

Clarity and diction in scene with darcie – muscularity 

^especially when on chair

“maRjory”

“whats this” not “whats that”

LONDON

“that’s how time works out here” make clear

Energy was wonderful- just muscularity and diction

Active imagination was good

Names should be clear

MASTER BRAMWELL should send shiver

Huldey colour to big paragraphs

• What does she love about the flowers? How they scratch her leg?
• Doe she like how cold the air is
• How barren it is 

12/12

• Sit down when ben goes down- scene 4

• Stop acting like going to be cut off 

• More fun in the lute moment- shake it, like Christmas

• Hold upstage hand

• Make more of a thing about not getting a seat

• Sit at the back in darcies seat at the end of scene 1

• Good at coming into 2 with energy

• If step on skirt, use it 

• Vivid and upsetting was missed 

• Scene 4 was a transformation